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French painter, printmaker and writer. Taking Cubism as one of his points of departure, he first developed a vocabulary of colour planes only distantly dependent on observed motifs, and by the 1930s he had arrived at a purely self-sufficient language of geometric forms. He remained active as a theoretician until the end of his life, leaving a legacy of influential writings on the development of abstract art.
champs de mars la tour rouge
mk247
1911 to 23,oil on canvas,63.25x50.625 in,160.7x128.6 cm,art institute of chicago,chicago,il,usa
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